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Book Launch showcasing the work of fourteen Hungarian artists living in Britain: Robert Waterhouse’s ‘Their Safe Haven: British-Hungarian Artists 1930 – 1980’ (Baguis Press 2018)

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‘There’s an ever-increasing interest in the Hitler émigrés, but the role of the Hungarians has yet to be discovered,’ said Matthias Sarkozi, former BBC newscaster in the Hungarian section, who introduced the fully booked launch event of Their Safe Haven: British-Hungarian Artists 1930 – 1980.  In April 1943 and in the midst of war time…

Alison Miller | 27/09/2018
Vladimír Kokolia, Sunset, 2005

Exhibition Review: Vladimír Kokolia’s ‘Epiphany’ (Ikon Gallery, Birmingham) – ‘a guaranteed conversion’

‘I only paint what I see’, says Vladimír Kokolia, one of the Czech Republic’s most established contemporary artists. For most, seeing the ordinary and the everyday’s an act of involuntary dismissal. For Kokolia, seeing the everyday’s wonderment. His first UK exhibition, Epiphany, hosted by the Ikon gallery in Birmingham, is a precious lesson in looking and seeing.…

Camelia Ciobanu | 18/07/2018
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Review: ‘Visual representations of Roma people: moving beyond stereotypes’ – Exhibition workshop at the Balassi Institute

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In her welcome to the event, Eszter Pataki, Director of the Hungarian Culture Centre and a former journalist, pronounced that ‘the Roma community is part of the shared culture in Hungary’, yet ‘many stereotypical images exist in the media even in the UK.’  The phrase ‘of Eastern European appearance’ always appears in a negative context.…

Alison Miller | 21/06/2018
Alex Mirutziu, Between too soon and too late, 2018. Installation view, Delfina Foundation, London. Photo Tim Bowditch. Courtesy Delfina Foundation and European ArtEast Foundation.
Alex Mirutziu: Between Too Soon and Too Late, Delfina Foundation, London, 26 April – 2 June 2018 delfinafoundation.com europeanarteast.com

European ArtEast and Delfina Foundation present: Alex Mirutziu ‘Between too soon and too late’ – ‘a window that could take one closer to the essence of things’

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With distractions pulling us in all directions, Alex Mirutziu wants to stop us in our tracks.  He’s done this on many occasions, not least with his video Tears are precious, which received the Best Independent Artist Award at the Optica International Video Art festival in 2008. Between too soon and too late, Mirutziu’s first solo show in…

Camelia Ciobanu | 05/05/2018
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EXHIBITION REVIEW: ‘Postponed Futures’ at GRAD: the best show in London on the Russian Revolution – by far

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Postponed Futures is really quite something. In a year when London’s saturated with exhibitions about the Russian Revolution in its centenary year, the show’s curator, Nikita Kadan, has forged a different response. He shows a Ukrainian exhibition, political and thought-provoking, which reminds us not to forget what’s going on amid the celebrations: a war in…

Julia Secklehner | 18/05/2017
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EXHIBITION REVIEW: Splashing into Viscosity – Márta Kucsora at the Concept Space

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The Concept Space is a brand new venue in Bermondsey debuting with Márta Kucsora on their first solo show together: Viscosity.  The mission of the new project space is to become a cutting edge hub for arts professionals, and to present both UK and international artists. The current show was curated by KB Stowe with…

Anett Gecov | 05/03/2017
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EXHIBITION REVIEW: ‘Another Russia: Post-Soviet Printmaking’ at the V&A

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Another Russia: Post-Soviet Printmaking is one of V&A’s newest temporary displays, comprising around 40-50 graphic works and  offering both a fascinating insight into the post-Soviet printmaking practice and a glimpse into V&A’s contemporary art collecting activity. All works on view are the museum’s recent acquisitions, some made possible through the help of grant funds, and…

Sofia Gurevich | 25/02/2017