Plenty, 1999. Cate Blanchett in David Hare’s play, directed for the Almeida by Jonathan Kent,
at the Albery theatre, London. Photo: Ivan Kyncl / courtesy of V&A.

Exhibition Review: “Ivan Kyncl: In The Minute” – ‘capturing the feel of a show in one click’

Ivan Kyncl: In the Minute marks 15 years since the death of the acclaimed, Czech-born theatre photographer Ivan Kyncl (1953-2004). His archive, acquired by the V&A in 2018, comprises over 100,000 negatives and is considered to be one of the richest chronicles of the British stage in the late 20th century. Focusing on the possibilities of theatre photography, the exhibition brilliantly…

Svetlana Smirnova | 04/07/2019
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Film Review: ‘Sunset’ (Nemes, 2018) + Q&A with Director László Nemes & Co-Writer Clare Royer – “a world on the brink of self-destruction”

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Before the film was screened, László Nemes advised the audience: ‘You’ll not need facts you usually need.’ And: ‘Accept the lack of control.’  There’s a nightmarish, disorderly quality in the bleached-out images of a pre-war Budapest of 1913 as the film opens. A young woman tries on hats in an exclusive hat shop. Scenes soon…

Alison Miller | 16/06/2019

Review: Science Café & Workshop – Can a Machine Replace an Artist? – ‘an exciting glimpse of the partnership between science and art’

Using popular mobile apps like Prisma and DeepArt anyone can produce a piece of stylised art from an input photo, but Daniel Sykora and his research group at the Czech Technical University argue that this wouldn’t pass an artistic version of the Turing test – where even the artist would’ve difficulty judging whether a painting…

Alison Miller | 11/06/2019
(c) Sasha Dovzhyk

Film Review: “The Trial: The state of Russia vs Oleg Sentsov ” (Kurov, 2017) – ‘informative and inspirational’

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In 2015 when Ukrainian, Crimean patriot Oleg Sentsov was convicted of trumped-up terrorist crimes he didn’t commit, the Moscow district court was told he’s not afraid of the twenty year sentence – ‘the rule of blood thirsty dwarves in your country will end sooner’. Askold Kurov’s documentary frames the progress of Sentsov’s trial in the…

Alison Miller | 30/05/2019
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MUSIC REVIEW: Thom Artway at the Troubadour – “a very enjoyable evening”

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It was only five months ago that Thom and his band first appeared at the Troubadour, but their show has changed a lot in that time. They included five songs from their latest CD All I Know but there were also a number of new ones, as well as three covers. The last time they were…

Ian Mole | 14/05/2019
Carnival Youth

Music Review: ‘Birthday’ and ‘Phantom Planet’, two new singles by Latvian band Carnival Youth – “what’s not to like?”

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The Riga indie trio Carnival Youth comprises twins Edgars and Emils Kaupers on guitar and drums respectively and Roberts Vanags on keyboards, while they all contribute vocals. They appear to have parted company with their bassist Alexsis in recent years. They’ve been together since 2012 and have so far released two albums, No Clouds Allowed (2014)…

Ian Mole | 30/04/2019
Still from "My friend, the Polish girl"

***KINOTEKA 2019*** Round up: “Professionalism has no gender.”

The 17th Polish Film Festival Kinoteka in London, featuring a selection of over forty different works, has served as a fitting example of positive direction within the issue of gender inequality in Polish cinema. The festival started and ended celebrating the success of Polish prominent men (opening with Another Day of Life, an homage to renowned Polish corresponder Ryszard Kapuscinski, and finishing with a gala celebrating…

Iga Szczodrowska | 19/04/2019