THEATRE REVIEW: ‘The Black Monk’ (Ginkas, 1999) – dramatism and a large dose of slapstick
Of all the great Russian writers of the second half of the nineteenth century, none perfected the art of dualism quite like Anton Chekhov. The tragic and the comic, the internal and the external, the serious and the trivial, the lived and the imagined – in his work all coexist and converge; the borders between…
| 29/03/2018