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Kinoteka 2015: ‘The Promised Land’ (Wajda, 1974) reviewed by Ian Mole

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The Promised Land  (Wajda, 1974) is based on the novel by Władysław Reymont  and won first prize at the Moscow Film Festival. Set in Łódź in the late 19th Century – the Polish Industrial Revolution in full swing –  it tells the tale of three young men from wealthy backgrounds who want to build their own textile…

Ian Mole | 11/05/2015
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Kinoteka 2015: ‘Austeria’ (Kawalerowicz, 1983), reviewed by Nick Barlay

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In a remote eastern part of the Austro-Hungarian province of Galicia, near the border of the Russian empire, the local Jews are in flight. It’s the first day of the First World War and the Cossacks are coming. With the sounds of conflict rising on the breeze, several wagon-loads of Jewish families arrive at an…

Nick Barlay | 06/05/2015
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Kinoteka 2015: ‘Innocent Sorcerers’ (Wajda, 1960), reviewed by Jo Varney

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Released in 1960, Wajda’s Innocent Sorcerers is a provocative and even beautiful film about contemporary youth in Poland. It has a bohemian charm and depicts the lives of a group of insouciant young men and women in late 1950s Warsaw as an endless round of drinking, smoking and flirtation,  in mouldering jazz dens. The eternal…

Jo Varney | 03/05/2015
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Kinoteka 2015: ‘Man of Iron’ (Wajda, 1981) reviewed by Mark Crossey

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Andrzej Wajda’s Man of Iron,  Oscar nominated and winner of the Palme d’Or at Cannes in 1981, was sequel to the well received and equally forthright Man of Marble (1977), and covers much the same theme – the individual’s downfall in the communist state. Yet unlike the earlier film,  Man of Iron came hard on the heels…

Mark Crossey | 01/05/2015
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Kinoteka 2015: ‘Walkover’ (Skolimowski, 1965) reviewed by Judith Fagelson

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Jerzy Skolimowski’s alter-ego, Andrzej Leszczyc, makes his second appearance in the 1965 film Walkover. Brooding and directionless, he arrives in a nondescript industrial city where he runs into Teresa Karczewska, an old friend from university, now an engineer working on the construction of a new power plant. On the eve of his 30th birthday, Andrzej…

Judith Fagelson | 28/04/2015
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Kinoteka 2015: ‘Pawlikowski Documentaries Part 1’, reviewed by Robin Ashenden

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Nobody in Russia knows how Pushkin died, but everyone knows how to purify French polish for drinking. This aperçu from a Russian alcoholic sets the tone for Moscow to Pietushki, the recent Oscar winner Pawel Pawlikowski’s 1991 documentary about the writer Venedict  Yerofeev, made for the BBC. Yerofeev’s book of the same name, written in the…

Robin Ashenden | 19/04/2015
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Kinoteka 2015: ‘To Kill This Love’ (Morgenstern, 1972) reviewed by Colin Swatridge

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To Kill This Love was made in 1972 by Janusz Morgenstern. Janusz Głowaska, who wrote the script, sought to show ‘very different kinds of love – beautiful, funny, pathetic, resigned’. The first of these loves, perhaps the ‘funny’ one, is between a warehouse janitor and a stray dog. Shots of the man enticing the dog…

Colin Swatridge | 19/04/2015
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Kinoteka 2015: ‘The Hourglass Sanatorium’ (Has, 1973) reviewed by Julia Secklehner

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Wojciech Jerzy Has’s The Hourglass Sanatorium (1973) is dreamlike and confusing. It starts with a young man, Joseph, travelling to a sanatorium to visit his father. As the train passes through a desolate, cold landscape, eerie music and ghost-like apathetic passengers lingering in the compartment accompany Joseph’s journey. Their costumes and mysterious airs are theatrical,…

Julia Secklehner | 15/04/2015
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Kinoteka 2015: Andrzej Munk’s Eroica (1958) reviewed by Eugenia Ellanskaya

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A 50s Polish war comedy? This summary and Andrzej Munk’s epic title Eroica could promise an hour-worth of quality nap time to those unfamiliar with Polish wit and good taste. Although Munk’s work is not a cinematographic gem like, say, the legendary works of Krzysztof Kieślowski or Andrzej Wajda  (the latter more apt to the…

Eugenia Ellanskaya | 09/04/2015
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Kinoteka 2015: ‘Illumination’ (Zanussi, 1972) reviewed by Ollie Buxton

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An integral part of the creative collective known as the Cinema of Moral Anxiety –  including the likes of Roman Polanski and Agnieszka Holland –  Krzysztof Zanussi made his name in the 1970s and 80s with a series of unsettling, edgy, and touching films. His 1974 offering, Illumination (Iluminacja) comes to the big screen in London…

Oliver Buxton | 06/04/2015