kinopoisk.ru

‘Youth on the March!’ Kino Klassika REVIEW: ‘We’ll live ‘til Monday’ (Rostotsky, 1968)

Rating:

In Stanislav Rostotsky’s 1968 film We’ll live ‘til Monday, screened last week at the Regent Street Cinema as part of Kino Klassika’s ‘Youth on the March!’ film season, three schoolteachers play out hopes and regrets in midst of an atmosphere of youthful rebellion. English teacher Natasha’s young and idealistic, and deeply in love with her…

Eva Rosenthal | 15/05/2018
Metamorpheus (1969)

FILM REVIEW: Jiří Brdečka: Master of Czech Animation – ‘unique and unlike anything ever put on screen’

Rating:

To celebrate the fantastic world of filmmaker Jiří Brdečka (1917-1982), one of the founding fathers of Czech animation, the Czech Centre London and Limonádový Joe s.r.o. organised a screening of eight of Brdečka’s short animations at Regent Street Cinema, followed by a Q&A with the artist’s daughter, Tereza Brdečková. Brdečka’s talents ranged from journalism to…

Juno Schwarz | 08/05/2018
Alex Mirutziu, Between too soon and too late, 2018. Installation view, Delfina Foundation, London. Photo Tim Bowditch. Courtesy Delfina Foundation and European ArtEast Foundation.
Alex Mirutziu: Between Too Soon and Too Late, Delfina Foundation, London, 26 April – 2 June 2018 delfinafoundation.com europeanarteast.com

European ArtEast and Delfina Foundation present: Alex Mirutziu ‘Between too soon and too late’ – ‘a window that could take one closer to the essence of things’

Rating:

With distractions pulling us in all directions, Alex Mirutziu wants to stop us in our tracks.  He’s done this on many occasions, not least with his video Tears are precious, which received the Best Independent Artist Award at the Optica International Video Art festival in 2008. Between too soon and too late, Mirutziu’s first solo show in…

Camelia Ciobanu | 05/05/2018
Serban Pavlu, Radu Iacoban © Versatile

ROFILMFEST Review: Charleston (Cretulescu, 2017) – ‘a visual and emotional delight’

Rating:

Ioana’s in a coffee shop taking a call, she leaves in a hurry and then disappears around a corner.  There’s a screech of brakes and the sound of a collision. Subsequently, we see a man at a graveside leaving flowers.  A few weeks after his wife’s buried, the man, Alexandru, turns 42.  Alone in his apartment…

Alison Miller | 30/04/2018
0001332_ana-mon-amour_420

ROFILMFEST REVIEW: Ana, Mon Amour (Netzer, 2017)

Rating:

The advertising material played before the start of Ana Mon Amour said Romania couldn’t make bad movies. Although tongue in cheek, it shows the confidence of the Romanian New Wave that’s enjoyed a sustainable wind for some time now.Ana Mon Amour is one of the latest offerings of this movement – and the film’s director…

Camelia Ciobanu | 25/04/2018

KINOTEKA REVIEW: ‘The Jester’ (Green and Nowina-Przybylsk, 1937) – a brilliant mixture of imaginative theatre and Yiddish family life

Rating:

The Jester, a Polish movie in Yiddish co-directed by Joseph Green and Jan Nowina-Przybylsk in 1937 and restored by the National Center for Jewish Film in 2008, transports us into the world of a vibrant Yiddish culture, values and humour prior to the First World War. The black-and-white movie narrates a romantic tale set against…

Yulia Tosheva | 05/04/2018
94726750450d1da80506b40f4b482e33.details_big

Romanian Centenary Celebrations Review: ‘War, Feminine’ – an entertaining and informative discussion about women’s role in the Great War

Rating:

To commemorate the role Romanian and British women played in the First World War, the Romanian Cultural Institute recently hosted a panel discussion with journalists and scholars to complement their current exhibition of the same name. With the occasion of this year’s Romanian centenary, the event explored how women contributed to the achievement of a…

Andreea Scridon | 03/04/2018
the-fixer-tiff

CINEMATHEQUE REVIEW: ‘The Fixer’ (2016) – a transformative experience not to be missed!

Rating:

Romania’s foreign-language submission for the 2018 Academy Awards, The Fixer had its British premiere this month at the Romanian Cultural Institute in London as part of Cinematheque, a monthly programme that focuses on promoting Romanian cinema. The movie comes out of the Romanian neo-realist cinema tradition that recently claimed prizes at Cannes and Berlin (Cristi…

Camelia Ciobanu | 27/03/2018